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The Social History of Smoking

George Latimer Apperson

Chapter 3:

Musicke, tobacco, sacke and sleepe,
The tide of sorrow backward keep.

An ingenious lover of his pipe declared ironically in the same year that he had found three bad qualities in tobacco, for it made a man a thief (which meant danger), a good fellow (which meant cost), and a niggard ("the name of which is hateful"). "It makes him a theefe," he continued "for he will steale it from his father; a good fellow, for he will give the smoake to a beggar; a niggard, for he will not part with his box to an Emperor!" A character in one of Chapman's plays, 1606, calls tobacco "the gentleman's saint and the soldier's idol." A little-known bard of 1630—Barten Holiday—wrote a poem of eight stanzas with chorus to each in praise of tobacco, in which he showed with a touch of burlesque that the herb was a musician, a lawyer, a physician, a traveller, a critic, an ignis fatuus, and a whiffler, i.e. a braggart. The first verse may suffice as a specimen:

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The Social History of Smoking

George Latimer Apperson

Chapter 4:

The social history of smoking from the point of view of fashion, during the period covered by this and the next two chapters may be summarized in a sentence. Through the middle of the seventeenth century smoking maintained its hold upon all classes of society, but in the later decades there are distinct signs that the habit was becoming less universal; and it seems pretty clear that by the time of Queen Anne, smoking, though still extensively practised in many classes of society, was to a considerable extent out of vogue among those most amenable to the dictates of Fashion.

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